Àsìkò was born in London, England. He spent his formative years in Lagos, Nigeria and adolescent years in London. He currently creates works in London and Nigeria. His project Layers was featured on the BBC and Huffington Post and exhibited at the South Bank in London.

His work is constructed in the narrative that straddles between fantasy and reality as a response to his experiences of identity, culture, and heritage. Asiko roots his art in his country’s traditions. For him, photography is about inspiring conversation, on how he sees himself in the world and how he interprets his African heritage. In his work, on a monochrome background, the outline of a woman stands out, adorned with traditional attributes. From one series to another, he alternatively focuses on a different aspect of Yoruba culture, always symbolized through the woman’s body.


ORIGINES, Online exhibition from April 28th to May 25th, Afikaris Gallery

CONVERSATIONS + THE WOMAN CODE, solo Show Gallery of African Art, London
LOOKS LIKE ME, Black Panther Portraits, Black Cultural Archives, London
AFROFUTURISM LOOKS LIKE ME, (Black Panther portraits) British Film Institute, London

ADORNED SERIES, Adorned series, Rele Gallery, Lagos
STYLEFUSION, Adorned series, Gallery of African Art, London
CULINARY ART, Samsung showcase art exhibition, Rele Gallery, Lagos 
LAYERS International Women's Day, South Bank Centre, London
LAYERS, Women's Equality Party, London

I use a Canon 5D mark 4. I have three lenses: 50 mm, a Canon 1.8 85 mm, and also a 24-70 F2.8 mm.
For me, the camera is mainly a tool. As you would use a paintbrush, it’s the same way how a camera is. It’s good to understand how to use a camera, but it’s not the most important. The important is the artwork, the idea, the concept behind what’s being made.

A lot of my work focuses on people of color. So, I’m exploring a lot my African heritage. Because of that, I’m photographing people from the African continent. Also, a lot of my photographs focus on women because I’m very interested in the place of women in the African diaspora, in the African culture. 
One of my projects was focused on celebrating these Yoruba women of Nigeria who created symbols in the 15th century Yoruba. These symbols were used to communicate with other women in the society. It was a kind of secret, a secret code that these women used. These symbols are Adire symbols. I photographed 5 current Yoruba women. Using the inspiration of Yoruba women of those times, I brought the Yoruba symbols back on the bodies of these women. I did some digital painting. I painted those symbols on the women.

I see myself as a cultural preserver, a cultural sort of curator. I was raised in Nigeria. So, I interpret aspects of my culture based on my journey as a human being and through my experiences. I use that to look at my culture and to preserve it. I feel that the African culture sometimes is about to disappear. For, me, it’s very important to continue to create some work about the culture, to show my children and grandchildren what being African was like in my time. It’s to show my culture and my heritage and the beauty of it. It’s a celebration of my culture and my heritage. I want to convey my life and my perspective as a person and an artist. 
If people look back on some of the artists of this time, especially the African artists, they find that there is a lot of culture and heritage that runs through their work. All their work is very different because Africa is a very complex and diverse continent. Because of that, the works, even though the similarities through it, visually look very different. I think for all of us, the culture and the identity is the real origin. It’s what we explore through our work. We use to speak either politically, socially or we are creating beautiful artworks, which is more about aesthetics. It’s where we are from. Africa is the origin.

A big thing of my source of inspiration is my culture, my African heritage, it’s where I’m from. I’m also inspired a lot by the matriarch women. One of the things I do is to explore the space of women in African societies. 
So, I’m inspired by my culture, heritage, my journey as a person, and also by all women: my mother and some of the women I grew up with and who raised me, my wife, my sisters, and all black women around me.