1-54 LONDON 2025: SOMERSET HOUSE, STRAND

16— 19 OCTOBRE 2025

  • STAND E2

    FABIANA EX-SOUZA

    JEAN DAVID NKOT

    OZIOMA ONUZULIKE

    MOUHCINE RAHAOUI 

    HERVÉ YAMGUEN

  • Pour l’édition de 2025, AFIKARIS présente un stand qui explore le corps en tant qu’entité à la fois naturelle, politique et spirituelle. Chacun des cinq artistes interroge la relation complexe entre le corps et l’environnement, explorant son rôle à la fois comme lieu d’exploitation et comme vecteur de connexions profondes, souvent réparatrices.

  • FABIANA EX-SOUZA
    • Afro-Brazilian artist. Contemporary art. Paris-based. Sculpture, performance, video, installation, photography. Multidisciplinary practice. Colonial wounds. Self-invention and healing. Rituals of transformation. Plant-based materials. Ecological care. Hybridity. Transmission and memory. Postcolonial narratives. Liberation. Contemporary conceptual frameworks. Award-winning artist.
      Fabiana Ex-Souza, Cotton Panic, 2024
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    • Afro-Brazilian artist. Contemporary art. Paris-based. Sculpture, performance, video, installation, photography. Multidisciplinary practice. Colonial wounds. Self-invention and healing. Rituals of transformation. Plant-based materials. Ecological care. Hybridity. Transmission and memory. Postcolonial narratives. Liberation. Contemporary conceptual frameworks. Award-winning artist.
      Fabiana Ex-Souza, Ce que je tisse à la place, 2025
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    • Afro-Brazilian artist. Contemporary art. Paris-based. Sculpture, performance, video, installation, photography. Multidisciplinary practice. Colonial wounds. Self-invention and healing. Rituals of transformation. Plant-based materials. Ecological care. Hybridity. Transmission and memory. Postcolonial narratives. Liberation. Contemporary conceptual frameworks. Award-winning artist.
      Fabiana Ex-Souza, Oiseaux de nuit, 2025
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  • JEAN DAVID NKOT
    • Jean David Nkot. Cameroonian artist. Contemporary African Art. Painting, sculpture, installation. Focus on human condition, scars of history, and global capitalism. Raw material extraction in African. Global economy, social and ecological impacts. Memory and contemporaneity. Exhibited internationally: Miami, Paris, Cape Town, Guangzhou, Berlin.
      Jean David Nkot, Po.box Between passion and indifference.com, 2025
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    • Jean David Nkot, www.From gesture to pleasure.com.cm, 2025
      Jean David Nkot, www.From gesture to pleasure.com.cm, 2025
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    • Jean David Nkot, www.pleasure-of-feves.com.or, 2024
      Jean David Nkot, www.pleasure-of-feves.com.or, 2024
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    • Jean David Nkot, Corps//matière.cm.org, 2025
      Jean David Nkot, Corps//matière.cm.org, 2025
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    • Jean David Nkot, Blue Bodies, 2024
      Jean David Nkot, Blue Bodies, 2024
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    • Jean David Nkot, Corps//matière.cm.org, 2025
      Jean David Nkot, Corps//matière.cm.org, 2025
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  • OZIOMA ONUZULIKE
    • Ozioma Onuzulike sculpture. Nigerian Artist. Contemporary Art Gallery. AFIKARIS PARIS. Mixed media (earthenware, ceramic, natural resources). Sculptures. Conversations on social changes. New Nsukka School.
      Ozioma Onuzulike, Armour for Senator Natasha, 2025
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    • Ozioma Onuzulike, Striped Jumper Armour, 2025
      Ozioma Onuzulike, Striped Jumper Armour, 2025
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    • Ozioma Onuzulike sculpture. Nigerian Artist. Contemporary Art Gallery. AFIKARIS PARIS. Mixed media (earthenware, ceramic, natural resources). Sculptures. Conversations on social changes. New Nsukka School.
      Ozioma Onuzulike, Royal Kente Weave VI, 2025
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  • MOUHCINE RAHAOUI
    • Mouhcine Rahaoui painting. Moroccan Artist. Contemporary African art in Paris. AFIKARIS PARIS. Mixed media (charcoal, wax, glue, plastic, wax, resin) on canvas. Installations. Experience and history of miners. Humans' fragility.
      Mouhcine Rahaoui, Absence et présence (les traces), 2024
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  • HERVÉ YAMGUEN
    • Hervé Yamguen sculpture. Bronze. Historical Cameroonian artist. Abstract figurative. AFIKARIS Gallery. Contemporary African Art in Paris. Cercle Kapsiki.
      Hervé Yamguen, Nous sommes nature 2, 2025
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    • Hervé Yamguen sculpture. Bronze. Historical Cameroonian artist. Abstract figurative. AFIKARIS Gallery. Contemporary African Art in Paris. Cercle Kapsiki.
      Hervé Yamguen, Nous sommes nature 4, 2025
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    • Hervé Yamguen, Coeur mystique, 2025
      Hervé Yamguen, Coeur mystique, 2025
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    • Hervé Yamguen sculpture. Bronze. Historical Cameroonian artist. Abstract figurative. AFIKARIS Gallery. Contemporary African Art in Paris. Cercle Kapsiki.
      Hervé Yamguen, Nous sommes nature 1, 2025
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    • Hervé Yamguen sculpture. Bronze. Historical Cameroonian artist. Abstract figurative. AFIKARIS Gallery. Contemporary African Art in Paris. Cercle Kapsiki.
      Hervé Yamguen, Nous sommes nature 5, 2025
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    • Hervé Yamguen Hervé Yamguen. Cameroonian artist. Contemporary art from Africa. Bronze sculptures. Unique piece. Paintings, drawings, performances. Hybrid beings merging human, animal and plant forms. Metamorphosis and communion within the living world. Member and co-founder of Cercle Kapsiki, Douala. Musée du quai Branly. Celebration of life and transformation. Spiritual and poetic approach to existence.i.
      Hervé Yamguen, Transmission, 2025
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  • NASREDDINE BENNACER
    • Nasreddine Bennacer. Algerian Artist. Contemporary African Art in Paris. AFIKARIS. Gouache on paper. Black and White. Hybridity of techniques. Quest for identity.
      Nasreddine Bennacer, GO WITH THE FLOW , 2017
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    • Nasreddine Bennacer. Algerian Artist. Contemporary African Art in Paris. AFIKARIS. Gouache on Japanese paper. Black and White. Between abstraction and figuration. Hybridity of techniques. Quest for identity. Art contemporain africain. Work balances abstraction and figuration, blending hybrid techniques in a quest for identity.
      Nasreddine Bennacer, Sans titre, 2025
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    • Nasreddine Bennacer. Algerian Artist. Contemporary African Art in Paris. AFIKARIS. Gouache on Japanese paper. Black and White. Between abstraction and figuration. Hybridity of techniques. Quest for identity. Art contemporain africain. Work balances abstraction and figuration, blending hybrid techniques in a quest for identity.
      Nasreddine Bennacer, Les Jardins Suspendus, 2025
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  • 1-54 London
    Galerie AFIKARIS, Stand E2
    Somerset House, Strand, WC2R 1LA Londres, Royaume-Uni
     
    DATES ET HORAIRES
    PRESSE & VIP 
    11h – 19h | jeudi 16 octobre

    OUVERTURE AU GRAND PUBLIC
    11h – 19h | vendredi, samedi
    11h – 18h | dimanche
     
    Pour plus d'informations, veuillez nous contacter à l'adresse suivante : 
    info@afikaris.com