1-54 PARIS ART FAIR 2022
We are thrilled to be participating for the first time in the 1-54 Paris art fair. In the continuity of our participation in the London, Marrakech and New York editions, our booth unveils works by both established and emerging artists. Hence, artworks by Salifou Lindou (b. 1965, Cameroon) and Jean David Nkot (b. 1989, Cameroon) unfold through Christie’s space alongside inks on paper by Omar Mahfoudi (b. 1981, Morocco), colourful paintings by Moustapha Baidi Oumarou (b. 1997, Cameroon) and realistic portraits by Matthew Eguavoen (b. 1988, Nigeria).
MOUSTAPHA BAIDI OUMAROU
LES VOISINS, 2022
Acrylic and pen on canvas
Through his anonymised portraits, Moustapha Baidi Oumarou conveys a message of joy, fraternity, and conviviality. He starts from his observations of contemporary society to compose an ideal world with his most beautiful colour palette.
COLLECTOR IV, 2022
Acrylic and oil on canvas
The portraits by Matthew Eguavoen reflect his thoughts on the society in which he lives, specifically through a reflection on family, immigration, and the consequences of colonialism.He gives an overview of political and social issues and mainly focuses on humans. His characters embody contemporary life, settling down in a familiar environment.
L'EXODE ET LA FAMILLE 2, 2022
Pastel on canvas
A major artist of the Cameroonian art scene, Lindou was and still is, a mentor for the next generations of artists. In tune with the world and inspired by his surroundings, he feeds his art with scenes from daily life.
LES FLEURISTES DE L'ATLAS 1, 2021
Ink on paper
Omar Mahfoudi proposes a series of floral and melancholic portraits. There is a call to nature emerging from the paper. A call to come back to the origin of the world, to rethink the universe facing its instability. Behind his work, an ecological consciousness arises. He initiates, throughout, the idea to side with nature.
JEAN DAVID NKOT
WWW.JOUEURS@DE LUDO.COM, 2020
Acrylic and silkscreen printing on canvas
Whilst Jean David Nkot focussed on the sorrow of his characters, it is time for them to be redeemed. He now frees his portraits from the weight of their history and emphasises their struggle, rather than their pain. He is interested in the moments of joy and captures the smiles behind the suffering.
Through this presentation, AFIKARIS Gallery testifies to its will to create long-standing links with its artists as well as discover newcomers.
For any additional inquiries and press related demands, please contact Michaëla Hadji-Minaglou at firstname.lastname@example.org