Art Brussels | Jean David Nkot: Brussels, Belgium

  • JEAN DAVID NKOT

    BOOTH 5A-26
  • On the occasion of Art Brussels 2026, AFIKARIS gallery presents a monographic exhibition by Jean David Nkot, bringing together a new series of works that extend his research on bodies, matter, and systems of extraction, in continuity with Théâtre des corps, drame de la matière (2025). Painting, textile, and sculpture construct an expanding language, where forms circulate and transform within a resolutely three-dimensional approach.
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  • After cotton and cocoa, the artist continues his reflection on extractivism and its historical, memorial, and political layers, now turning...
    After cotton and cocoa, the artist continues his reflection on extractivism and its historical, memorial, and political layers, now turning to coal and cobalt. On the canvas, Black bodies, traversed by this mineral blue, appear as essential yet invisibilized presences within global economies, becoming matter themselves, absorbed into environments of organic and mineral residues. This blue palette runs through all the works as a guiding thread: a trace of exploited soils, an index of extractive chains, but also a symbolic and ritual threshold of transformation, notably referencing mourning practices in certain Bassa traditions.
  • This logic is also developed in the silkscreened backgrounds, where imaginary maps, archival photographs, and fragments of the Harkin-Engel protocol,...
    This logic is also developed in the silkscreened backgrounds, where imaginary maps, archival photographs, and fragments of the Harkin-Engel protocol, deliberately rendered illegible, are overlaid, highlighting the circulation of resources, logics of appropriation, and zones of opacity linked to systems of exploitation. It continues in the series Behind a Flag, where jute bags (used to transport cocoa and coffee) are reassembled into textiles evoking flags. Inspired by West and Central African weaving traditions and tinted with national colors without a single referent, they question narratives of identity and power. The seams, tears, and blue threads function as bodily marks, extending the presence of cobalt and the colonial and contemporary memories of labor.
     
  • ARTWORKS SELECTION

    • Jean David Nkot, Bp.cm@étreinte végétal, 2026
      Jean David Nkot, Bp.cm@étreinte végétal, 2026
    • Jean David Nkot, ##Essoufflement végétal@.com, 2026
      Jean David Nkot, ##Essoufflement végétal@.com, 2026
    • Jean David Nkot, www.//brasier végétal.com, 2026
      Jean David Nkot, www.//brasier végétal.com, 2026
    • Jean David Nkot. Cameroonian artist. Contemporary African Art. Painting, sculpture, installation. Focus on human condition, scars of history, and global capitalism. Raw material extraction in African. Global economy, social and ecological impacts. Memory and contemporaneity.
      Jean David Nkot, Corps//matière.cm.org, 2025
    • Jean David Nkot, Corps//matière.cm.org, 2025
      Jean David Nkot, Corps//matière.cm.org, 2025
    • Jean David Nkot, Corps//matière.cm.org, 2025
      Jean David Nkot, Corps//matière.cm.org, 2025
    • Jean David Nkot, www//essorage de Gaïa.com, 2026
      Jean David Nkot, www//essorage de Gaïa.com, 2026
    • Jean David Nkot, www//essorage de Gaïa.com, 2026
      Jean David Nkot, www//essorage de Gaïa.com, 2026
    • Jean David Nkot, www//essorage de Gaïa.com, 2026
      Jean David Nkot, www//essorage de Gaïa.com, 2026
    • Jean David Nkot, #Behind @ flag//.cm, 2026
      Jean David Nkot, #Behind @ flag//.cm, 2026
    • Jean David Nkot. Cameroonian artist. Contemporary African Art. Painting, sculpture, installation. Focus on human condition, scars of history, and global capitalism. Raw material extraction in African. Global economy, social and ecological impacts. Memory and contemporaneity.
      Jean David Nkot, www.//Behind a flag.cm, 2026
  • ABOUT THE ARTIST

    JEAN DAVID NKOT WAS BORN IN 1989 IN DOUALA, CAMEROON, WHERE HE LIVES AND WORKS. A graduate of the Institut...
    JEAN DAVID NKOT WAS BORN IN 1989 IN DOUALA, CAMEROON, WHERE HE LIVES AND WORKS.
     
    A graduate of the Institut de Formation Artistique of Mbalmayo (IFA) and later of the Institut des Beaux-Arts of Foumban, Cameroon, he quickly established himself through his mastery of painting, sculpture, and installation. In 2017, he took part in the “Post-Master Moving Frontiers” program at the École nationale supérieure d’art in Paris-Cergy, France.
     
    A painter of the human condition, he develops a realistic approach attentive to the scars left by history and to the logics of globalized capitalism. Since 2020, his work has focused on the exploitation of raw materials in Africa—such as cotton, chocolate, and minerals—and on the impact of these extractive systems, both on societies and on the environment. His compositions, drawing from photographic archives, question the role of these resources in the global economy and reveal their social and ecological consequences, from Africa to the rest of the world.
     
  • PRACTICAL INFORMATION

    Art Brussels
    AFIKARIS Gallery | Booth 5A-26
    Brussels Expo – Entrance Hall 5
    Place de la Belgique 1, 1020 Brussels

    DATES AND TIMES

    VIP PREVIEW
    11 AM - 4 PM | Thursday, 23 April 

    VERNISSAGE
    4 - 9 PM | Thursday, 23 April

    PUBLIC OPENING HOURS
    11 AM – 7 PM | Friday, 24 and Saturday 25 April
    11 AM – 6 PM | Sunday, 26 April