Born in 1965, Salifou Lindou lives and works in Douala.

This member of Kapsiki circle grew up in Foumban, known as “the city of art” by many. Since his childhood, the masks and statues of artisans and of the palace museum has been his daily life. He started creating very early, and today he is one of the most recognized Cameroonian artists on the national and international art scene.

The artworks of Salifou Lindou are a mix of materials "I have the art of manipulating things, I like to tinker". Tireless researcher, Salifou shapes, structures and deconstructs metal sheets, leather, steel, paper, etc. He is constantly experimenting with new elements to make the most of them.

At first glance, one might think that the work of this artist runs counter to current contemporary art trends. At a time where many artists are coming back to figuration or hyperrealism, this artist seeks the perfect mastery of the abstraction of his subjects. “Like a kid” as he says, Salifou expresses the need to manipulate forms, to explore materials and finally to invent scenes.

This ability to shape the lines, positioning eyes, mouth, nose and any other part of the body of his characters at the right place without calculation, highlights his perfect mastery of drawing and the expression of the freedom that emanates from him. In this game, which is ultimately artistic creation, everything is allowed to Salifou: the artist, playing with a heap of lines, leads them to express themselves only for themselves to represent characters who are indifferent to reality.
During this manipulation, this do-it-yourself, the artist ends up touching the secret and the mystery of life. Life, our life, is a game, but a vicious one. His works, in a mixture of media (drawing, painting, collages, etc) tells us of its complexity. Salifou makes abstract forms and complex figures play together. This complexity is possible to see through brown lines that intertwine to form atypical characters on which he sticks elements, which become stigmata. We can also see labyrinthine lines, the labyrinth of life, a life in which the Man who is at the center of Salifou's work, must fight, bet, and win or lose like in a casino. The life of a human being is daily rotating around this fight and this game of perpetual strategies. His drawings show strong but fragile silhouettes at the same time, in chaotic worlds where man releases his impulses, conjures his anguish and unloads his aggressiveness. Through Lindou's work, we can confirm it again: artistic creation and life would have a common origin and trajectory.

Ruth Belinga, Art Historian


How would you describe your work?
My work mainly focuses on human beings. I would describe my work as a journey inside the matter, a need to fix the emotion in the texture of the characters I draw. 

You are a multidisciplinary artist: a sculptor, a drawer, a painter, and a video artist. How do you choose which medium to work with? 
I instinctively choose the medium depending on the attraction I feel at the moment. 

Who are the people that you represent?  
The people I draw are people I see every day, who are part of my environment. I’m very sensitive regarding what happens around me. In that regard, I fix the faces I use to meet daily. 

Are you inspired by the news? 
Yes, the news and social movements inspire me a lot. 

What are your main sources of inspiration? 
My main sources of inspiration are the faces I see in the street and the architecture of precarious neighbourhoods. Street scenes also inspire me a lot. Finally, I’m also inspired by the bodies’ aesthetic. 

Which messages would you want to convey through your work? 
In my work, I aim to represent all the sides of human beings: their strengths as their weaknesses, their beauty as their ugliness, their narcissism as their humility and their generosity. Finally, human beings are treasures of information. 

You founded in 1998 the Cercle Kapsiki along with Blaise Bang, Hervé Yamguen, and Hervé Youmbi et Jules Wokam joined you later. What was your objective? 
We were a group of artists and above all, a group of friends. The Cercle Kapsiki arose from the observation that the Cameroonian art scene lacked dynamism and that the young artists who would admire us as older artists won’t have any opportunity to show their work. Kapsiki is the name of the peak of a mountain in the North of Cameroon. It is the highest summit. Thus, we chose this name to embody the dynamism we would expect by gathering our forces. Our goal was to go toward the public and to democratize the arts. Indeed, at that time, contemporary art exhibitions mainly attracted an occidental “elite.” We really wanted to brings the art in the city by displaying artworks in the public space. 
Our initiatives have been supported by the French cultural center, Doual’Art, and also a Spanish organization that gave us money for 3 years. 
The purpose was to organize workshops with kids from the street or to create projects such as “Scénographies Urbaines.” This project, in partnership with the Skurk, had an international scale. It involved artists from Cameroon, France and Congo.
Today, the five of us are participating in a project in the framework of Africa 2020.

Ligne de départ, AFIKARIS Gallery, Paris, France

SAVE, Yaoundé, Cameroon

Living Together, Doual’Art, Douala, Cameroon

Entre le souffle et le trait, Mam Gallery, Douala, Cameroon

Classique!, AFIKARIS Gallery, Paris
1-54 London, London, UK
1-54 New York, New York, USA
1-54 Paris, Paris, France
Venice Biennale, Cameroonian Pavillon, Venice, Italy
Investec Cape Town Art Fair, Cape Town, South Africa
artgenève, Geneva, Switzeland

Résiste, Duo Show with Sejiro Avoseh, AFIKARIS Gallery, Paris
1-54 London, London, UK
Art Paris, Paris, France
Institut des Cultures d'Islam, Paris, France

We Paint Humans, AFIKARIS Gallery, Paris, France
DIALOGUES, AFIKARIS Gallery, Paris, France
1-54 London, London, UK
1-54 New York, New York, USA

Aujourd'hui, National Museum of Cameroon, Yaounde, Cameroon

AKAA Art Fair, Paris, France
624, OFF exhibition at the Dakar Biennale DAk'ART, Dakar, Senegal

Délices du Wouri, duo show with Christian Hanussek, Foderkoje Gallery, Berlin, Germany
Une Vision Contemporaine II, World Bank, Yaounde, Cameroon

Une Vision Contemporaine I, World Bank, Yaounde, Cameroon
ARCO Madrid, Madrid, Spain

1st Prize Libr’art, Salon International, Libramont, Belgium

Winner of the Logo design competition for the International AIDS Society, Yaoundé, Cameroon
120x90cm, Salifou Lindou
130x100cm, Salifou Lindou
200x250cm, Salifou Lindou
130x100cm, Salifou Lindou
100x75cm, Salifou Lindou
105x175cm, Salifou Lindou
164x205cm, Salifou Lindou
109x104cm, Salifou Lindou
109x104cm, Salifou Lindou
109x104cm, Salifou Lindou
107x189cm, Salifou Lindou
85x75cm, Salifou Lindou
78x75cm, Salifou Lindou
150x100cm, Salifou Lindou
150x100cm, Salifou Lindou
150x130cm, Salifou Lindou
148x147cm, Salifou Lindou
150x150cm, Salifou Lindou
109x64cm, Salifou Lindou
200x150cm, Salifou Lindou
150x200cm, Salifou Lindou
149x150cm, Salifou Lindou
42x30cm, Salifou Lindou
42x30cm, Salifou Lindou
90x75cm, Salifou Lindou
118x83cm, Salifou Lindou
150x130cm, Salifou Lindou
130x150cm, Salifou Lindou
144x150cm, Salifou Lindou
138x206cm, Salifou Lindou
150x150cm, Salifou Lindou